The World's Tweets Light Up the Globe in Stunning Live Visualization

It’s simple, but lovely. Web designer Franck Ernewein‘s real-time Twitter visualization, Tweetping, drops a bright pixel at the location of every tweet in the world, starting as soon as you open the page.

The result is a constantly changing image that grows to look like a nighttime satellite shot, bright spots swarming over the most developed areas. But Ernewein has packaged it all in a subtly interactive visualization that avoids distracting the viewer while still imparting a great amount of information.

Meanwhile, a selection of tweets are projected, along with latest hashtags and mentions, all while tracking total tweets, words, and characters. The length of the two gray lines on the display represent the number of characters and words in each tweet.

Though it’s one of the most beautiful, Tweetping is far from the first to display geotagged tweet information; coders have built sites to display election tweets, adjustable parameter maps, and even 3-D visualizations.

Tweetping even represents Antarctica, but not the ISS. And there’s no pause button; like Twitter itself, Tweetping’s data accrues incessantly; there’s no off switch but the back button.

Nathan Hurst is learning how to make some things, knows how to fix some others, and is already pretty good at breaking everything else. He has written for Outside and Wired, traveled in Africa, and tweets as @NathanBHurst.

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Why is Beckham sitting on the bench for nothing?

PARIS (AP) — David Beckham has won league championships in three countries on two continents, earns millions of dollars in endorsements and his name is practically synonymous with celebrity itself. He has his own cologne, for goodness sake. So why is he even bothering to sit on the bench for the Paris Saint-Germain football club?

His royal highness of football doesn’t need the money — and he’s said he’ll donate his PSG salary to charity — but he does need to start thinking about life after the game. At 37, Beckham is practically a dinosaur for the sport, and he acknowledged in his welcoming press conference on Thursday that he probably won’t be in the team’s starting lineup.

Instead, Beckham may be beginning to put in place a plan for life after the final whistle. Ellis Cashmore, a sociologist who writes about sports and media culture at Staffordshire University, said that prolonged exposure is always useful to celebrities building empires. In that way, the deal with PSG does double work: It keeps his name in lights for longer and also garners extra attention for the charitable contribution.

“When he does stop playing, which is going to be quite soon, his overall brand appeal will inevitably decline because we will inevitably forget about this guy,” he said. “I think he’s probably thinking, I want to stay in the shop window for a bit longer.”

But Cashmore also cautioned against being too cynical in assessing Beckham’s motives: “The guy is an athlete. He wants to do what he loves to do.”

Bruno Satin, an independent players’ agent who was with IMG for a decade, also said that the move to PSG — even if it’s to sit on the bench — is a step up for Beckham.

“For him, to be on the PSG team, it’s a higher level than being on the Los Angeles Galaxy,” he said. “For the world of football, for real football, the Los Angeles Galaxy is nothing on the map of football.”

Some wondered if Beckham was trying to avoid the notoriously sticky fingers of the French state with his plans to donate his salary.

But Sandra Hodzic, a tax lawyer with Salans, said the deduction an individual can take on such contributions is limited. Instead, it would be smarter for PSG to directly donate the salary — and take a big tax break in the process.

Doing so would have an added benefit for the club: UEFA, the governing body for European football, mandate that clubs break even. The donation could allow PSG to essentially write off Beckham’s entire salary — a huge help for a team notorious for mega-contracts.

Beckham, meanwhile, would be better off trying to avoid becoming a French tax resident at all. So far, Hodzic said, he is making all the right moves: His family is staying in London, he plans to live only part-time in the country for less than six months, and his primary source of income —whether or not he donates his salary — isn’t being earned in France.

Beckham’s agent did not return calls for comment on specifics of the contract.

Still, the charitable contribution has raised the question about what Beckham is getting out of the deal. For one, he likely is still getting a cut of rights to his image. Jerseys with his name on them were already selling out at the PSG store on the Champs-Elysees on Friday.

Cashmore, who wrote a book called “Beckham,” calls him a “marketing phenomenon” and estimates that about 70 percent of Beckham’s income comes from endorsement deals — with Adidas, for instance. That makes salary almost irrelevant — especially for a man estimated by the Sunday Times Rich List to be worth 160 million pounds ($ 253 million).

But the football feeds the endorsements, Cashmore says.

“It makes an awful lot of business sense to perpetuate, to prolong his active competitive football career,” he said, especially with a team that’s doing fairly well this year. “It makes an awful lot of sense for him to showcase himself because it will generate more income from his various other sponsorship and licensing activities.”

But certainly this move, as any at this late-stage in his playing career, is being made with an eye on what will come next. Cashmore said that when Beckham signed with the L.A. Galaxy, there was an understanding that he would eventually become an ambassador for American soccer. That plan clearly fell by the wayside — perhaps because Major League Soccer decided it was just too expensive to keep on the star after his presence on American soil failed to generate more interest in the game.

It’s possible, Cashmore said, that Beckham is looking for a similar deal after his stint at PSG, which is Qatari owned. The tiny, wealthy nation is hosting the World Cup in 2022, and Beckham’s contract with PSG will establish a relationship with it; from there, a role as, say, an ambassador for the tournament would seem more natural.

“For his after-career conversion, it’s important to have links with major actors in the world of sports,” said Satin. And Qatar is certainly one. It has poured money into PSG, drawing major names like striker Zlatan Ibrahimovic. It also funds the satellite network Al Jazeera, which could provide Beckham with a platform. And then there’s the World Cup.

In the end, though, Satin said the clue to Beckham’s thinking may be as simple as the eternal draw of Paris.

“PSG has become a glamorous club, a pretty nice club in a beautiful city,” said Bruno Satin, an agent. “It’s just two hours on the Eurostar (train) from London.”

____

AP Sports Writer Rob Harris contributed to this report from London.

____

Follow Sarah DiLorenzo at http://www.twitter.com/sdilorenzo

Entertainment News Headlines – Yahoo! News

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Ferrol Sams, Doctor Turned Novelist, Dies at 90

Ferrol Sams, a country doctor who started writing fiction in his late 50s and went on to win critical praise and a devoted readership for his humorous and perceptive novels and stories that drew on his medical practice and his rural Southern roots, died on Tuesday at his home in Lafayette, Ga. He was 90.

The cause, said his son Ferrol Sams III, also a doctor, was that he was “slap wore out.”

“He lived a full life,” his son said. “He didn’t leave anything in the tank.”

Dr. Sams grew up on a farm in the rural Piedmont area of Georgia, seven mud-road miles from the nearest town. He was a boy during the Depression; books meant escape and discovery. He read “Robinson Crusoe,” then Mark Twain and Charles Dickens. One of his English professors at Mercer University, in Macon, suggested he consider a career in writing, but he chose another route to examining the human condition: medical school.

When he was 58 — after he had served in World War II, started a medical practice with his wife, raised his four children and stopped devoting so much of his mornings to preparing lessons for Sunday school at the Methodist church — he began writing “Run With the Horsemen,” a novel based on his youth. It was published in 1982.

“In the beginning was the land,” the book begins. “Shortly thereafter was the father.”

In The New York Times Book Review, the novelist Robert Miner wrote, “Mr. Sams’s approach to his hero’s experiences is nicely signaled in these two opening sentences.”

He added: “I couldn’t help associating the gentility, good-humored common sense and pace of this novel with my image of a country doctor spinning yarns. The writing is elegant, reflective and amused. Mr. Sams is a storyteller sure of his audience, in no particular hurry, and gifted with perfect timing.”

Dr. Sams modeled the lead character in “Run With the Horsemen,” Porter Osborne Jr., on himself, and featured him in two more novels, “The Whisper of the River” and “When All the World Was Young,” which followed him into World War II.

Dr. Sams also wrote thinly disguised stories about his life as a physician. In “Epiphany,” he captures the friendship that develops between a literary-minded doctor frustrated by bureaucracy and a patient angry over past racism and injustice.

Ferrol Sams Jr. was born Sept. 26, 1922, in Woolsey, Ga. He received a bachelor’s degree from Mercer in 1942 and his medical degree from Emory University in 1949. In his addition to his namesake, survivors include his wife, Dr. Helen Fletcher Sams; his sons Jim and Fletcher; a daughter, Ellen Nichol; eight grandchildren; and nine great-grandchildren.

Some critics tired of what they called the “folksiness” in Dr. Sams’s books. But he did not write for the critics, he said. In an interview with the Georgia Writers Hall of Fame, Dr. Sams was asked what audience he wrote for. Himself, he said.

“If you lose your sense of awe, or if you lose your sense of the ridiculous, you’ve fallen into a terrible pit,” he added. “The only thing that’s worse is never to have had either.”

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Media Decoder Blog: In Wake of Restructuring, NBC News President Quits

8:30 p.m. | Updated

The longest-serving president of any of the three network news divisions, Steve Capus of NBC News, stepped down from his position on Friday, six months after Comcast restructured its news units in a way that diminished his authority.

Pat Fili-Krushel, chairwoman of the NBCUniversal News Group, said in a brief telephone interview on Friday that she would “cast a wide net” while searching for a successor to Mr. Capus. In the interim, the leaders of the news division will report directly to her.

Ms. Fili-Krushel became Mr. Capus’s boss last July when Steve Burke, the chief executive of NBCUniversal, consolidated all of NBC’s news units — NBC News, the cable news channels MSNBC and CNBC, and its stake in the Weather Channel — under a new umbrella, the NBCUniversal News Group. Mr. Burke asked Ms. Fili-Krushel, one of his most trusted lieutenants, to run it, while keeping Mr. Capus and the heads of the other units in place.

Ms. Fili-Krushel worked early in her career at HBO and Lifetime. A veteran of the Walt Disney Company, where she helped program ABC, and  Time Warner, where she was an administrator, she is by her own admission not a journalist.  But now she is, by default, the highest-ranking woman in the American television news industry — not just at the moment, but in the history of the medium. The heads of the news divisions at ABC and CBS are men, as are the heads of the Fox News Channel, CNN, and Bloomberg.

Ms. Fili-Krushel has kept a low public profile, but has been a forceful presence behind the scenes, recently moving from her office on the 51st floor of 30 Rockefeller Center, near Mr. Burke’s, to a new one on the third floor, where NBC News is based. On Friday, she said she had spent her first six months “learning, listening and getting to know the players here.” She called the News Group an “unbelievably strong organization.”

Though Mr. Capus’s exit saddened many at NBC News on Friday, it came as little surprise. He had previously reported directly to Mr. Burke, but after the restructuring he reported to Ms. Fili-Krushel, and he made no secret of his unhappiness with the change. His contract had a clause that allowed him to leave in the event that he no longer reported to Mr. Burke, according to two people with direct knowledge of the arrangement at NBC, and he decided to exercise that right after months of contemplation. The people insisted on anonymity because they were not authorized by the network to speak publicly.

Mr. Capus told Ms. Fili-Krushel of his intent to leave last Friday. It is likely that he would have left sooner, but a series of major news stories kept him busy late last year — including Hurricane Sandy, the presidential election and the school shooting in Newtown, Conn. Mr. Capus also oversaw the network’s response to the kidnapping of Richard Engel and an NBC News crew in Syria last month.

“It has been a privilege to have spent two decades here, but it is now time to head in a new direction,” he wrote in an e-mail to staff members on Friday afternoon.

Mr. Capus guided NBC through a revolutionary time in news-gathering and distribution. He maintained the news division’s profitability, managed tensions between NBC News and its increasingly liberal cable channel MSNBC, and fostered new business ventures like an in-house production company and an annual education summit. Last year, he unwound an old deal with Microsoft to give the news division complete control over its Web site, now named NBCNews.com, for the first time.

Ms. Fili-Krushel wrote in a separate e-mail to staff members that “NBC News is America’s leading source of television news and Steve has been a big part of that success.”

NBC News is the producer of the most popular evening newscast in the country. But its single biggest source of profits, the morning show “Today,” fell to second place last year, behind ABC’s “Good Morning America,” for the first time since the 1990s. The decline caused widespread anxiety inside the news division and speculation that Mr. Capus would be relieved of his duties.

Inside NBC, both Mr. Capus and the executive producer of “Today,” Jim Bell, received much of the blame for the botched removal of Ann Curry from “Today” last June, which worsened the show’s already tenuous position in the ratings. Ms. Fili-Krushel was put in charge just a few weeks later.

Mr. Bell was replaced at “Today” last fall and is now the executive producer for NBC Olympics. Savannah Guthrie is now the co-host of “Today,” and Ms. Curry is a national and international correspondent for the network, but is rarely seen. Mr. Capus’s exit was seen by some at the network as the last shoe that had to drop.

In his e-mail to staff members, Mr. Capus called it an “extremely difficult decision to walk away,” noting that he started at NBC as a producer 20 years ago this month. He did not make any mention of what he would do next. “Journalism is, indeed, a noble calling, and I have much I hope to accomplish in the next phase of my career,” he wrote.

“Today” continues to lose to ABC’s “Good Morning America” among total viewers, but lately it has won a few weeks in the 25- to 54-year-old demographic that advertisers covet.

“NBC Nightly News” has more successfully fended off ABC’s “World News,” despite an aggressive push by ABC. Mr. Capus said, “NBC News has grown in all key metrics — from ratings and reputation to profitability.”

A version of this article appeared in print on 02/02/2013, on page B2 of the NewYork edition with the headline: In Wake of Restructuring, NBC News President Quits.

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Binge-viewing is transforming the television experience

A Netflix show starring Kevin Spacey.

When Thomas Toth contracted pneumonia, he became inseparable from the cool, stylish Don Draper.

Toth watched all five seasons of the AMC series "Mad Men" from his sickbed in a two-week viewing binge . He became so captivated by its fictional admen that he began sporting skinny ties and drinking Old-Fashioned cocktails.

"The nuances of the story lines are getting so complicated — they're introducing characters in Episode 2 and that character comes back in Episode 6 — I can digest things a lot quicker and easier when I binge on them," the 44-year-old Denver resident said.

Toth has lots of company. Services such as Netflix and Hulu, as well as digital video recorders, have transformed the TV viewing experience by enabling viewers to devour multiple episodes or even entire seasons of "The Wire" or "Downton Abbey" in marathon viewing sessions.

VIDEO: Winter TV preview

Now Netflix is making a massive bet that it can satisfy the addiction that it helped create. At 12:01 a.m. Friday the service debuted its first original series, a political drama called "House of Cards" that stars actor Kevin Spacey as a ruthless, scheming House majority whip.

In a departure from television tradition, the entire season of "House of Cards" — all 13 episodes, nearly 13 hours of tense Capitol Hill drama — will be available at once, with the click of a button.

Millions of Americans are binge-viewing serialized dramas and comedies, including those that can no longer be found on the network prime-time schedule. Hits like the espionage thriller "24" and cult favorites such as "Arrested Development," which both ran on the Fox network, have found new life on Netflix, as have past seasons of FX's "American Horror Story" and ABC Family's "Pretty Little Liars."

The phenomenon is so pervasive that a majority of Americans ages 8 to 66 say they've engaged in this sort of copious TV consumption, according to a study conducted by media consultant Frank N. Magid Associates Inc.

"We're finding that people who binge-view once binge-view again," Magid Executive Vice President Jack MacKenzie said. "It's the 'you can't eat just one' kind of thing."

This instant-gratification approach flouts network scheduling traditions.

Hollywood has always fed audiences a diet of, "Wait a week and we'll give you new episodes, then wait a season, we'll give you another season," Netflix Chief Content Office Ted Sarandos said.

"The Internet is attuning people to get what they want when they want it," Sarandos said. "'House of Cards' is literally the first show for the on-demand generation."

Netflix committed a reported $100 million for two seasons of "House of Cards," based on a strong script and the pedigree of the creative team of director David Fincher ("The Social Network" and "Fight Club") and writer Beau Willimon, who received an Oscar nomination for the 2011 political drama "The Ides of March."

"We wanted to go all-in," Sarandos said. "It's important to signal … that we're moving into this space in a meaningful, big way. So we did it loud."

If successful, the gambit could begin to unwind 60 years of serialized television convention — especially if others begin to emulate Netflix's approach. So far, broadcast and cable programmers have shown no inclination to release multiple episodes simultaneously.

"I don't think one show changes the television industry," said Richard Greenfield, media analyst with BTIG. But "if this become replicated multiple times over by Netflix and others, absolutely."

The instant-availability formula dispenses with cliffhangers designed to prevent the audience from fleeing during commercial breaks and woo them back for next week's installment. There is no need for comprehensive recaps of the previous week's episode because Netflix assumes that viewers won't miss a beat.

The absence of ads means that each episode has more time for story lines and relationships — as much as 15 more minutes of story per television hour.

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Creative Freedom Will Push Cord-Cutting More Than Your Media Box

Amazon and Netflix are cribbing from the hands-off approach cable giants like HBO and FX take to creating amazing television, a move that will lead to better shows by tempting writers and producers to create original programming.

Streaming media companies are increasingly focusing on generating original content as they try to draw viewers away from network and cable television. Netflix is leading the way, and its flagship show, House of Cards, premiers today. Not to be outdone, Amazon said Thursday that it is expanding its plans beyond situation comedies to include children’s programming.

To do this, Netflix and others are removing the traditional rules and oversight that can hamper creativity. Forget about the focus groups shaping shows, the suits calling the shots and the advertisers wringing their hands over something “edgy.” Streaming media companies are positioning themselves as the place where writers, directors and producers can do what they want, without fear of micromanaging.

“Netflix offered total creative control of the production.” According Media Rights Capital to CEO and co-founder Modi Wiczyk. “Everybody believed in Netflix.”

This will be key to the success of streaming media’s attempt to be more than the place where you watch the latest movies or catch up on Breaking Bad. The challenge has never been getting into people’s homes — Netflix is available on just about device that can be hooked up to a TV, and Amazon is pursuing similar ubiquity. The challenge is generating programming people will want to watch and cannot get anywhere else.

This is one of the reasons Netflix got House of Cards. The show, produced by David Fincher, is based upon the best selling book by Lord Michael Dobbs and a TV series by the BBC. House of Cards will provide Netflix with the kind of credibility usually reserved for the likes of AMC or HBO. It’s also an interesting experiment, because Netflix plans to release the entire season — 13 episodes in all — today.

But the show may have never been made had it not been for the artistic license Netflix gave the production company Media Rights Capital. Dobbs was wary of licensing the story for fear of relinquishing control and seeing his story sullied or sold out by the whims of traditional network or studio executives. But Netflix gave the production company wide latitude to do as it pleased.

“Media Rights Capital ran it fully,” Wiczyk told Wired. “Netflix left Media Rights Capital alone to complete and deliver the show. A huge deal when you think about the fact that this is the most expensive drama on TV.”

Still, it’s a huge gamble to Netflix, even with big names like Fincher — who directed films like The Girl With the Dragon Tattoo, The Social Network and Fight Club — and Kevin Spacey involved. Netflix is rumored to have paid about $3.8 million per episode for House of Cards, about twice what television programs typically cost. But Netflix’s bet could pay off — it saw a jump of 2 million subscribers in the fourth quarter.

The show’s launch is so big that Xbox is offering unlocked Netflix access to Xbox live subscribers. Currently only Xbox Live Gold members have access to the streaming app.

Amazon is taking a similar tack in its bid to offer original programming. The company will finance 12 pilots — six comedies, six kids’ shows — and allow viewers to decide what gets picked up. Traditional studios and networks do the same thing, but use small focus groups.

But regardless of how a show is picked to stream, Amazon is keen on letting artists be artist. “We can bring insights into what Amazon customers might respond to, but the best shows will be driven by a passionate, talented creative team and it’s important to know when to get out of the way and let the magic happen,” Roy Price, director of Amazon Studios told Wired via email.

The rush to challenge established networks by offering original content is a good way for companies like Netflix and Amazon to attract more subscribers. But it’s also good for viewers, who may want throw down the shackles of their local cable company. Cord cutting used to mean paying a premium to see first-run shows via iTunes or Amazon 24 hours after they were broadcast, or waiting a year to see them on a streaming service like Netflix.

Viewers will still have to rely upon such methods to see shows like Mad Men, Breaking Bad and Girls, but they’ll soon be able to enjoy content they won’t find anywhere else.

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Singer Randy Travis pleads guilty to DWI, gets probation

DALLAS (Reuters) – Grammy Award-winning country singer Randy Travis on Thursday pleaded guilty to driving while intoxicated and was sentenced to two years probation for an incident in which Texas State Troopers found him lying naked near his crashed car.

Travis, 53, was ordered to serve at least 30 days at an in-patient alcohol treatment facility and was not charged for threatening the troopers who arrested him August 7 in Tioga, Texas, about 60 miles north of Dallas.

Travis’ blood alcohol level was more than double the legal limit in Texas when he was arrested, authorities said.

The guilty plea to a Class A misdemeanor in Grayson County Court ends legal troubles Travis faced in connection with several incidents last year, his attorney Larry Friedman said.

“He is ready to put all this behind him and focus on his music and his fans,” Friedman said. “He expects a trouble-free 2013.”

Travis was also fined $ 2,000 and sentenced to 100 hours of community service. Travis will have to serve six months in jail if he fails to complete the probation terms.

Grayson County District Attorney Joe Brown called the sentence “appropriate” given Travis’ level of intoxication and behavior during his arrest.

“We are all hopeful that Mr. Travis is on the road to recovery,” Brown said in a statement.

In January, Travis pleaded no contest in a case in which police said he assaulted a man on August 23 in a church parking lot while trying to intervene in a disagreement between a woman, who is now his fiancée, and her estranged husband.

Travis is serving 90 days of deferred adjudication in that case, which means the charges could be dismissed if he successfully completes the requirements, Friedman said.

The singer filed a lawsuit recently in a Collin County District Court against the man he was charged with assaulting, claiming the altercation was an attempt to injure and embarrass him.

Travis, known for such hits as “Forever and Ever, Amen,” was cited in February 2012 for public intoxication and paid a fine, Friedman said.

(Editing by David Bailey and Stacey Joyce)

Music News Headlines – Yahoo! News

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The New Old Age Blog: Caregiving, Laced With Humor

“My grandmother, she’s not a normal person. She’s like a character when she speaks. Every day she’s playing like she’s an actress.”

These are words of love, and they come from Sacha Goldberger, a French photographer who has turned his grandmother, 93-year-old Frederika Goldberger, into a minor European celebrity.

In the photos, you can see the qualities grandson and grandmother have in common: a wicked sense of humor, an utter lack of pretension and a keen taste for theatricality and the absurd.

This isn’t an ordinary caregiving relationship, not by a long shot. But Sacha, 44 years old and unmarried, is deeply devoted to this spirited older relation who has played the role of Mamika (“my little grandmother,” translated from her native Hungarian) in two of his books and a photography exhibition currently underway in Paris.

As for Frederika, “I like everything that my grandson does,” she said in a recent Skype conversation from her apartment, which also serves as Sacha’s office. “I hate not to do anything. Here, with my grandson, I have the feeling I am doing something.”

Their unusual collaboration began after Frederika retired from her career as a textile consultant at age 80 and fell into a funk.

“I was very depressed because I lived for working,” she told me in our Skype conversation.

Sacha had long dreamed of creating what he calls a “Woody Allen-like Web site with a French Jewish humor” and he had an inspiration. What if he took one of the pillars of that type of humor, a French man’s relationship with his mother and grandmother, and asked Frederika to play along with some oddball ideas?

This Budapest-born baroness, whose family had owned the largest textile factory in Hungary before World War II, was a natural in front of the camera, assuming a straight-faced, imperturbable comic attitude whether donning a motorcycle helmet and goggles, polishing her fingernails with a gherkin, wearing giant flippers on the beach, lighting up a banana, or dressed up as a Christmas tree with a golden star on her head. (All these photos and more appear in “Mamika: My Mighty Little Grandmother,” published in the United States last year.)

“It was like a game for us, deciding what crazy thing we were going to do next, how we were going to keep people from being bored,” said Sacha, who traces his close relationship with his grandmother to age 14, when she taught him how to drive and often picked him up at school. “Making pictures was a very good excuse to spend time together.”

“He thought it was very funny to put a costume on me,” said Frederika. “And I liked it.”

People responded enthusiastically, and before long Sacha had cooked up what ended up becoming the most popular character role for Frederika: Super Mamika, outfitted in a body-hugging costume, tights, a motorcycle helmet and a flowing cape.

His grandmother was a super hero of sorts, because she had helped save 10 people from the Nazis during World War II, said Sacha. He also traced inspiration to Stan Lee, a Jewish artist who created the X-Men, The Hulk and the Fantastic Four for Marvel comics. “I wanted to ask what happens to these super heroes when they get old in these photographs with my grandmother.”

Lest this seem a bit trivial to readers of this blog, consider this passage from Sacha’s introduction to “Mamika: My Might Little Grandmother”:

In a society where youth is the supreme value; where wrinkles have to be camouflaged; where old people are hidden as soon as they become cumbersome, where, for lack of time or desire, it is easier to put our elders in hospices rather than take care of them, I wanted to show that happiness in aging was also possible.

In our Skype conversation, Sacha confessed to anxiety about losing his grandmother, and said, “I always was very worried about what would happen if my grandmother disappeared. Because she is exceptional.”

“I am not normal,” Frederika piped up at his side, her face deeply wrinkled, her short hair beautifully coiffed, seemingly very satisfied with herself.

“So, making these pictures to me is the best thing that could happen,” Sacha continued, “because now my grandma is immortal and it seems everyone knows her. I am giving to everybody in the world a bit of my grandma.”

This wonderful expression of caring and creativity has expanded my view of intergenerational relations in this new old age. What about you?

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DealBook: Morgan Stanley's Chief Gets a Base Salary Raise

James P. Gorman, the chief executive of Morgan Stanley, will receive a huge raise in his base salary this year, but his overall pay package for 2012 was down from 2011, according to a filing Thursday with the Securities and Exchange Commission.

Mr. Gorman made $9.75 million in 2012, down 7 percent from 2011. The firm had previously disclosed pieces of Mr. Gorman’s pay, like some incentive bonuses, but on Thursday, the firm revealed the value of his entire package. He was also granted performance-based stock compensation valued at almost $3.75 million in 2012.

The firm also said that his base salary in 2013 would double to $1.5 million, or $28,846.15 a week. The firm’s board said in the filing that Mr. Gorman’s base salary was raised to bring it in line with the salaries of other bank chiefs. The chief executive of Goldman Sachs, Lloyd C. Blankfein, for instance, makes a base salary of $2 million.

Base salaries across Wall Street rose sharply after the financial crisis. Traders and bankers have historically been paid a relatively small base salary and a big one-time bonus based on their financial performance. Regulators, however, have argued that this type of pay system gives employees incentives to take unnecessary risks and have pushed banks to increase the amount of fixed compensation.

Still, Mr. Gorman’s overall pay in 2012 was down, partly because of the firm’s challenges. C. Robert Kidder, the board’s lead independent director, said in the filing that “2012 was a transition year for Morgan Stanley, and management along with much of the organization saw reduced compensation.” Still, he said the board was “confident” in Mr. Gorman’s strategic plan.

Morgan Stanley was badly bruised during the financial crisis. Mr. Gorman, who took over as chief executive in 2010, had been working hard to reduce the firm’s risk profile, slimming down divisions like fixed income and expanding steadier units like wealth management. The firm’s stock was up more than 25 percent in 2012.

The board also increased the base salaries of Mr. Gorman’s top deputies. Gregory J. Fleming, who leads the firm’s wealth management division, and Colm Kelleher, who runs institutional securities, will now make a base salary of $1 million, or $19,230.77 a week, as do all members of the firm’s operating committee. Last year the two made a base of roughly $750,000 each.

So far the company has disclosed compensation for these two men valued at $6.4 million. It is expected that they will also be awarded deferred cash. The total value of their compensation won’t be known until later this year, but it will be lower than last year, according to a person briefed on the matter who spoke on condition of anonymity.

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Hagel to stress opposition to a nuclear Iran in Senate testimony

WASHINGTON -- President Obama’s nominee for secretary of Defense, former Sen. Chuck Hagel, will stress at his confirmation hearing Thursday that he opposes letting Iran acquire nuclear weapons and will focus on developing military options to set back Tehran’s program, according to a U.S. official familiar with his planned testimony.

It will be Hagel’s first chance to explain his views publicly since his selection last month ignited fierce opposition from several former Republican colleagues and pro-Israel groups. They contend Hagel was not tough enough on Iran during his two terms as a GOP senator from Nebraska, and warn he might not push for a U.S. attack on Iran if one is needed.

“He’s going to be very clear that he fully supports the president’s policy of preventing Iran from getting a nuclear weapon,” said the U.S. official, who spoke on condition of anonymity because Hagel had not yet testified. “His job as secretary of Defense is to ensure that the military is prepared for any contingency, and he believes all options should be on the table, including military options.”

Hagel’s willingness to back the use of force against Iran is likely to be the key area of questioning during what is expected to be a daylong hearing with the Senate Armed Services Committee.

After a shaky start, Hagel’s nomination has picked up increasing support from Democrats, and the first Republican, Sen. Thad Cochran of Mississippi, announced Monday that he would vote for Hagel.

White House officials say they expect more Republicans to back Hagel and predict that when the full Senate votes, he will win more than the 60 votes necessary to avoid the threat of a filibuster.

Some pro-Israel groups have greeted Hagel’s nomination with opposition or lukewarm support. Even Democrats who back Hagel are determined to press him for greater clarity on how long diplomatic pressure and sanctions on Iran should be given to work before a military strike becomes necessary.

Sen. Carl Levin (D-Mich.), chairman of the committee, said “most Democrats are leaning very strongly” for Hagel, including himself. “That doesn’t mean I don’t have questions,” he added.

Many Republicans have not forgiven Hagel for publicly criticizing the George W. Bush administration for its handling of the war in Iraq, and they are likely to be considerably harsher in tone.

Sen. John Cornyn (R-Texas), speaking on the Senate floor Wednesday afternoon, said Hagel’s nomination had “already done damage to the United States’ credibility” in dealing with Iran.

“I realize that Sen. Hagel is now repudiating many of his past actions and statements,” he added. “But we’ve seen this before.”

Like Obama, Hagel has long called for a mix of negotiations and international economic sanctions to pressure Iran, insisting that military action should be considered only as a last resort. As he has sought support for his nomination, Hagel has emphasized that unilateral U.S. sanctions and even military action could be required.

“If Iran continues to flout its international obligations, it should continue to face severe and growing consequences,” Hagel said in response to written questions from the committee. ‘‘While there is time and space for diplomacy, backed by pressure, the window is closing. Iran needs to demonstrate it is prepared to negotiate seriously.’’

Ironically, the pressure on Hagel to come out strongly for a possible military strike against Iran comes as some Israeli officials, who have long pressed the Obama administration to consider a preemptive attack, say Iran appears to have backed away, at least for now, from what the West believes is a program to develop a nuclear bomb.

Sen. James Inhofe (R-Okla.), the top Republican on the panel, said last week that he and Hagel were “too philosophically opposed on the issues" for Inhofe to support his nomination, citing Hagel’s support for defense budget cuts and for cutting nuclear stockpiles. Inhofe was one of three Republicans who voted Tuesday against confirming Sen. John F. Kerry (D-Mass.) as secretary of State.

Senate Minority Leader Mitch McConnell (R-Ky.) on Tuesday declined to rule out the possibility that Republicans would require a 60-vote threshold for confirming Hagel.

“Sen. Hagel hasn't had his hearing yet, and I think it's too early to predict the conditions under which his nomination will be considered,” McConnell said.

Sen. Lindsey Graham (R-S.C.) has said he would block Hagel’s nomination from coming to a vote unless the current Pentagon chief, Leon E. Panetta, agrees to testify about the Sept. 11, 2012, attack on the U.S. compound in Benghazi, Libya. A White House official downplayed the possibility that Hagel’s nomination could be blocked, saying negotiations were underway to let Panetta testify.

david.cloud@latimes.com

michael.memoli@latimes.com

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