Supreme Court to hear California raisin growers' case

WASHINGTON — The Supreme Court agreed Tuesday to hear an appeal from Fresno raisin growers Marvin and Laura Horne, who contend that the federal marketing program that can take nearly half of their crop is unconstitutional.

Their case poses a significant challenge to the New Deal-era farm program that seeks to prop up prices by keeping part of the crop off the market.

It also raises questions about the limits of the government's power to regulate commerce, an issue that sharply divided the justices in the major healthcare overhaul case decided in June.

California produces 99.5% of the nation's raisins and about 40% of the world's supply, but the U.S. Department of Agriculture has a say on how some of the crop can be used.

Under the federal program, the USDA's raisin board seeks to maintain stable prices by setting aside some portion of the crop and keeping it off the market. Those raisins can be used in the federal school lunch program, but the growers are paid little or nothing for them.

Believing the scheme to be outdated and unfair, the Hornes joined with several other growers to evade the system and sell their raisins independently. They were hit with an order to pay a $483,843 civil fine.

They sued, but lost in the U.S. 9^th Circuit Court of Appeals. The judges said the Hornes should have filed a claim in a special claims court.

Over the objections of the Department of Agriculture, the high court said it would hear the growers' arguments that they were denied "just compensation" as required by the Constitution, making the program an illegal "taking" of private property.

California raisins were last before the court in the late 1990s in a dispute over marketing campaigns. Then, dissident growers were challenging the mandatory fees for generic ads, such as those depicting dancing raisins and a rendition of the song "I Heard It Through the Grapevine."

The new case arises from independent farmers who admitted that they spoke for only a "small part of the large raisin industry" in California.

The federal marketing order for raisins "extracts a hefty portion of a farmer's annual raisin crop as a condition" for selling the rest of it on the market, said the growers' appellate lawyer, Michael McConnell, a Stanford University law professor and former federal appeals court judge.

In 2003, when the case began, raisin handlers were required to set aside 47% of the crop, he said. The next year, the percentage dropped to 30%.

In those two years, the raisin board "determined that the compensation for the reserve-tonnage raisins should be set at precisely zero dollars," he said. The Hornes "received no compensation for the USDA's appropriation of almost one-third of their crop," he said.

In defense of the USDA, Solicitor Gen. Donald Verrilli Jr. had urged the court to steer clear of the case. The marketing orders apply to "handlers" of raisins, not to producers, he said.

The Hornes tried to play both roles by producing raisins and then marketing them, he said. They "cannot flout the raisin marketing order and then challenge the resulting monetary assessment on the ground that compensation might hypothetically be owed if they had complied," he said.

The case of Horne vs. USDA will come up for argument in March. While it could yield a narrow procedural ruling, it also could lead to a broader decision that will affect the many other agricultural marketing orders.

david.savage@latimes.com

Read More..

3-D Printing Branches Out With New Wood-Based Filament

Printed plastics? So 2011. And high-end printers have been working with metals and ceramics for some time. But now the 3-D printing community is toying with a material more natural in origin: printed wood.

The new concept has a mysterious start. A Thingiverse member going by the nom de printer ”Kaipa” recently uploaded pictures of 3D-printed parts that weren’t made of extruded plastic, but a wood/plastic mixture he created on his own. The maker wouldn’t share the process for making the material, or even what the ingredients were, but he did offer to send sample spools of his experimental filament to interested hackers.

Forward-thinking French fabricator Jeremie Francois took Kaipa up on the offer and put the filament, called Laywood-D3 through its paces. He found that the material had interesting properties. On his blog he reported that “It actually looks like something between cardboard and a springy MDF. The printed object also really can be painted, much more than with PLA or ABS.”

And then Francois took it a step further. He noted that as the temperature of the extrusion nozzle changed, the color of the wood changed with it. Lower temperatures meant lighter, piney colors; higher temperatures led to darker hues. And the variable temperatures introduced an uneven “grain,” further enhancing the natural appearance.

Keen to keep the crowdsourced innovation going, Francois developed software to allow makers to experiment with the material and its variable temperature performance more easily.

The only problem with this material is that Kaipa can’t seem to make enough.

The one website that carries it is perpetually out of stock, while the only other option is to buy small batches through Germany’s eBay. With no open source sharing, it’s impossible for others in the fledgling community to continue helping its development. Some have expressed interest in trying to re-create the product’s formulation, including Brentwood, California, high school student Logan Dorsey, who has started an IndieGoGo campaign to raise research funds, but that comes with no guarantees.

3-D printing wood might not rival traditional production methods in terms of cost or quality, but it stands alone for its unique aesthetic. And in a world where 3-D printers are printing coral and fixing eagle beaks, it might be just the tool a sustainability-minded engineer needs.

All photos: Jeremie Francois

Read More..

“Rise of the Guardians” Review: Magic, but you’d better believe in Santa Claus

LOS ANGELES (TheWrap.com) – There’s a really cool idea afoot in “Rise of the Guardians,” namely that Santa Claus, the Easter Bunny, the Tooth Fairy and the Sandman aren’t merely responsible for their little corner of children’s lives but are actually a super-team of “Avengers” proportions. Taking their cues from the unseen Man in the Moon, they protect children everywhere from evildoers.

There’s also a really tired concept dragging down the film, namely that new Guardians recruit Jack Frost isn’t sure that he wants to join up, and he doesn’t know who he really is – and he’s, basically, the umpteenth Joseph-Campbell-reluctant-hero who pops up in seemingly every kids’ movie and superhero epic. (Arguably, “Guardians” is both.)

And as much as I often found myself enchanted by this 3D animated film, based on the series of books by William Joyce, I couldn’t help noticing that this movie falls into a conundrum I like to call (with a tip of the hat to playwright Christopher Durang) “You didn’t clap loud enough – Tinkerbell’s dead.”

As an atheist (albeit one who loves Christmas movies), I get a little twitchy about films where children are made to feel guilty about not believing in things and people that don’t actually exist. So even though it’s nice to get a non-cynical story aimed at kids, in which open-heartedness and wonder are celebrated as virtues, this is another movie that paints itself into a theological corner by suggesting that those of us who question the existence of the Easter Bunny are at fault for all the world’s ills.

In this tale, the Guardians assemble for two reasons: to welcome Jack Frost (voiced by Chris Pine) into their ranks and to combat Pitch Black (Jude Law), a long-suppressed boogeyman who’s out to capture the Sandman (who never speaks, but is one of the movie’s funniest characters) and to replace his golden slumbers with hideous nightmares.

Santa (Alec Baldwin) – here made out to be the jolliest Russian stevedore on Earth – welcomes Jack to the fold and assures him that he can be a hero once he figures out what he’s made of. Less convinced is the Easter Bunny (Hugh Jackman), who has ongoing resentment against Jack for all those times that wintry weather has disrupted egg hunts.

And there’s the Tooth Fairy (Isla Fisher), who subcontracts most of her gig out to her army of pixies; one of the film’s interesting twists is to explain why children’s teeth are so valuable and what she does with them.

When the Guardians are zipping around the planet, invisibly enchanting children and ribbing each other, “Rise of the Guardians” has a real lift to it; first-time director Peter Ramsey knows how to pace the big set pieces, and he understands that anytime you can make characters fly around (or extreme-sled) in a 3D movie, audiences’ spirits will soar too.

All too often, however, the good stuff is interrupted by the extremely pat plot beats of Jack and his voyage of self-fulfillment, and those aren’t the only mistakes screenwriter David Lindsay-Abaire (“Rabbit Hole”) makes along the way.

There’s a major plot development that takes place off-camera, which gives a large chunk of the movie a “Wait, what just happened?” confusion that’s too much of a distraction.

The young’uns at the screening I attended were entranced for much of “Rise of the Guardians” (terrible title!), so parents can rest assured that its target audience will leave satisfied. But the best family films truly appeal to the whole family, and adults may find themselves asking, and fending off, too many questions to take the plunge into this fantasy universe.

Movies News Headlines – Yahoo! News

Read More..

The New Old Age Blog: Patience, Consciousness and White Lies

My wife and I are blessed with having three “semi-independent” parents in their mid-80s living within a few blocks of us. Our children grew up knowing their grandparents as integral parts of our nuclear family, within walking distance for most of their childhoods. But now that our nest is empty, we find ourselves reliving many of the parenting issues we faced when our children were little — now in geriatric versions, at close range. As it turns out, parenting was good practice for the issues we face with our own parents.

What exactly does semi-independence mean as applied to elderly parents? Among our three, we have two canes, five walkers, one wheelchair (for long walks), four artificial joints, a pacemaker, four hearing aides and a knee brace. The list of medical conditions is long, and the list of medications even longer, requiring different color pill box organizers for morning, afternoon and evening.

Our parents all live in the same homes they have been in for many years. Keeping them safe and healthy there, as well as when they leave the house, has become a big part of our day-to-day work these days. Therein the yin and yang of parenting has returned — independence versus helicoptering.

Children’s yearning for independence begins in toddlerhood: “I can do it myself!” It escalates through childhood, accelerates with the driver’s license, and crescendos, with pomp and circumstance, at high school graduation.

The urge for independence is seen in all animal species, but relinquishing independence and accepting assistance in old age is unique to humans. For most elderly, it comes with a struggle, reflecting how hardwired our brains are for independence. The thought of getting in-home help is antithetical to our parents’ sense of self worth, exceeded only by the dread of leaving their homes for assisted living facilities. So, as tasks that were once mundane and automatic have become onerous and stressful for them, we attempt to foster autonomy while protecting them from harm, as we did with our children just a few short years ago.

Childproofing – Our home has again become hazardous, as have theirs. Furniture must be rearranged, booster seats placed on chairs to ease standing up, slippery rugs removed, lighting improved, bathrooms accessorized with handles and rails.

Dressing – Body shapes change in childhood and in old age. Our parents’ wardrobes, like those of our children’s before them, need frequent attention to preserve self-esteem. Their unwillingness to part with old clothes turns us into tailors. And, once again, we shop for slip-on sneakers with Velcro ties.

Driving – For our teens, driving was the symbolic liberation from childhood to young adulthood. For our parents, driving is the symbolic resistance to infirmity and old age. Our attempt to wean them from their cars, in precisely the reverse order we used to phase our teens into driving, has been torture for our parents and for us.

Toys – We have filled our parents’ shelves with new toys to help them with everything from opening cartons of milk (I would like a word with whoever designed those plastic pull loops) and zipping their clothes, to opening jars and removing the protective seals from over-the-counter medicines. A “picker-upper” device helps them avoid bending too low, and a key turner gives them leverage to open their door. Large digital clock faces, easy-to-read telephone keypads, and magnifying glasses keep them in touch with the world, and an e-mail printer keeps them in touch with their grandchildren.

Medicating – Filling those plastic pill box organizers with a week’s worth of medicines has become a personal barometer of competence for our parents, yet, as with our children when they were young, we feel compelled to oversee the dosing.

Mobility – Despite numerous falls, it was only with much teeth gnashing (or denture gnashing, as the case may be) that our mothers consented to use canes; more gnashing when canes gave way to walkers. For long walks, we hide the wheelchair half way there and back so the neighbors don’t see.

The more we do for our parents, the more frail and guilty they feel. Our efforts are sometimes resented. Helping them get in and out of the car, or bracing them under the arm as they negotiate a bumpy sidewalk, can be an affront. “I can do it myself!”

Can I ride my bike to tennis practice if I’m really careful crossing Holly Street? Why can’t I take a cab home from the seniors program at the community center? Can I walk to grandma’s by myself this time? Can I take the bus to the supermarket today? Everyone is hanging out at the park after school, can I go? I’ll just walk down the block to the neighbor’s house this afternoon, O.K.?

What wisdom did we gain the first time around to help us now? Patience, consciousness and white lies.

Patience to wait for them to come to the same conclusions we did. Mom, do you think Rosalind would have fallen and broken both wrists if she had been using a walker?

Consciousness about their need for independence as ballast to our need for their well-being. Why don’t you just let us drive you at night for now?

And white lies: I’m going to the supermarket anyway, we can shop together.

The longer we can protect our parents from harm, the more we can share our lives with them and the more joy they can have from their grandchildren. The trick is doing it without hurting them in other ways.

We have been through this before. It was worth it then, and it is worth it now.

Dr. Harley A. Rotbart is professor and vice chairman of pediatrics at the University of Colorado School of Medicine and the author of “No Regrets Parenting.”

Read More..

Family of man shot by sheriff's deputies calls for FBI probe

The family of an Inglewood man gunned down by L.A. County sheriff's deputies this month is requesting an FBI probe of the shooting and subsequent investigation by the Sheriff's Department.

Jose de la Trinidad, 36, was shot and killed by deputies Nov. 10, just minutes after leaving his niece's quinceanera with his older brother.

After police attempted to pull the older brother over for speeding, he sped off. After pleading with his brother to stop, Jose de la Trinidad was let out of the car in the 1900 block of East 122nd Street in Willowbrook, family members said.

There the unarmed man was shot and killed by deputies. But there is some dispute over what happened in those seconds before deputies opened fire.

Sheriff's Department officials said the deputies believed Jose de la Trinidad was reaching for his waistband and, fearing he had a weapon, used necessary force.

The slain man's family, however, said that a 19-year-old woman who witnessed the shooting from her bedroom window reported that she saw De la Trinidad with his hands behind his head before shots were fired.

The family's attorney, Luis Carrillo, said the witness heard the older brother's car screech to a stop and then watched Jose de la Trinidad get out of the vehicle.

"When they told him to stop, his hands went up behind his head and he kept them there," the witness told a private investigator working for Carrillo, according to a transcript of interview notes read to The Times.

Carrillo said the witness, whom he did not identify, was pressured to change her story by sheriff's deputies who were going door-to-door that night looking for information on the shooting.

"It's the classic 'He was reaching for his waistband' defense that is used any time an officer shoots an unarmed man," Carrillo said. "They tried to get her to change her story."

Sheriff's officials sharply reject the accusation and said that, as of Monday, they had yet to speak with any witnesses.

"It's a curious accusation because how can we intimidate people who we have not yet spoken to?" said Steve Whitmore, a spokesman of the Sheriff's Department.

Despite Carrillo's claims that uniformed deputies were going door-to-door seeking witness statements the night of the shooting, Whitmore insisted that no witness interviews were conducted that night.

Sheriff's officials have released few details about the shooting and say the incident will be investigated by multiple agencies, which is standard protocol for deputy-involved shootings.

Officials at the FBI office in Los Angeles said they have not decided wither the accusations merit an investigation.

The driver, who family members believe may have been intoxicated after a night of celebrating, sped off again before crashing his vehicle at the intersection of El Segundo and Avalon boulevards. He ran away but was apprehended by deputies.

On Monday, as more than a dozen family members huddled in a South Pasadena law office, Carrillo and De la Trinidad's widow, Rosie, demanded answers. His mother, Sofia de la Trinidad, seemed overwhelmed by the moment. "Mi hijo, mi hijo," she said, sobbing.

"I just don't know what I'm going to do, I still can't believe this has happened," the widow said. Making plans for a funeral and consoling her two daughters has left little time to process her husband's death, she said.

Family friends have set up a memorial fund in De la Trinidad's name at Wells Fargo Bank. They hope it will cover the costs of a private memorial ceremony planned for this week.

"He was the breadwinner," his wife said, fighting tears. "I don't even know how am I going to bury him."

wesley.lowery@latimes.com

Read More..

Mount Doom, Einstein Crater, and Arrakis Plains: Geekiest Place Names in the Solar System

Ancient civilizations gave us the names of planets in our solar system. But as modern scientists have zoomed in on these bodies and their moons, they have needed to find names for ever more features on their surfaces.

Following the tradition of naming planets after Greek and Roman deities, most place names in the solar system are derived from mythology. Thus, mountains, craters, valleys, and other geologic features on Venus come from names for sky goddesses, water goddesses, desert goddesses, war goddesses, or goddesses of love, fate, fortune, and fertility.

But sometimes it seems that astronomers get a little tired of always asking their mythology friends for new pantheons to mine for names. Scientists are, after all, just as geeky as any other nerd subculture and they like to stamp the solar system with lesser-known minutiae from their favorite books or devote a crater to a scientific hero.

For instance, on Nov. 13 the International Astronomical Union (IAU) approved the name Mount Doom for a peak on Saturn’s moon Titan. According to the Lord of the Rings series, this mountain lies at the heart of Mordor and is the only site where the One Ring can be unmade. Titan is like a geek heaven, with place names coming from both J. R. R. Tolkien’s mythos and Frank Herbert’s Dune series.

To come up with such names, members of an IAU task group agree on a theme — let’s say, naming all the craters on Jupiter’s moon Europa after Celtic gods and heroes – and label any known features. As better maps are made of a planet or moon, other people may suggest a name for newly resolved features. The names are reviewed, objected to, debated, and eventually approved and published online. The process isn’t just for scientists; members of the public can submit suggestions as well. Maybe it’s time to start stamping the solar system with places like Westeros and Oz?

While we can’t visit these features in person, many have been mapped by our robotic probes. Here we take a look at some images of the geekiest places in the solar system.

Above:

The themes for most of Titan’s features follow the standard mythological criterion. Above you can see the enormous Xanadu region, the bright area just below and to the right of center. Xanadu is named after a legendary palace in Samuel Taylor Coleridge’s poem Kubla Khan. But all mountains on Titan are named for fictional mountains in the Lord of the Rings series, while all plains and labyrinth-like features are named for planets in the Dune series.

Image: NASA/JPL/Space Science Institute

Read More..

‘Trapped’ on Broadway? R. Kelly is working on it

NEW YORK (AP) — Is Broadway ready for Twan, Sylvester, Pimp Lucius and “the package”? R. Kelly thinks so — and says he’s working to bring the wacky characters and plotlines in his even wackier “Trapped in the Closet” series to the Great White Way.

The superstar announced on Monday night that he’s had an offer to bring the cult classic to the stage, and he may even be in some performances.

“To transform it into a Broadway version, that’s what I’m working on,” he told a packed house at the Sunshine Theater, where he unveiled the latest chapters in “Trapped in the Closet,” which will debut on the IFC on Friday.

Kelly gave no other details about a possible Broadway adaptation of the wildly popular video opera. It got its start from a stirring series of songs Kelly debuted in 2005, which ended with a cliff-hanger. The songs captured so much attention, Kelly made an over-the-top video series about it that just got crazier and crazier as he added more chapters.

Kelly has often referred to “Trapped” as an alien, and on Monday, he said: “I’m glad to be one of the astronauts to take this thing to the unknown.”

He thanked the enthusiastic crowd for accepting the series, and admitted that he always wanted to act: “Somehow, I landed ‘Trapped in the Closet’ from being silly.”

He also joked about the ridiculous nature of the series.

“I’m just having a lot of fun. I don’t have a job so I sit in the studio all day and think of stuff to do and this is just something stupid I’ve done that’s been successful for me,” he said. “I’m having a lot of fun with it.”

The latest chapters introduce a few new faces, and like the others series, ends with a cliffhanger. While it’s taken Kelly five years to add these latest chapters to the series, Kelly says he won’t take as long to produce more.

“I want everybody to know I’ve got 85 chapters of ‘Trapped in the Closet’ waiting in the studio for y’all,” he said. “The chapters that are coming — the show, we call it — is going to exceed every chapter that you have ever seen.”

Kelly capped of the evening with a rendition of one of his biggest hits, “I Believe I Can Fly,” for the audience.

___

http://www.r-kelly.com

http://www.ifc.com

___

Nekesa Mumbi Moody is the AP’s Global Entertainment & Lifestyles Editor. Follow her at http://www.twitter.com/nekesamumbi

Entertainment News Headlines – Yahoo! News

Read More..

Responding to Illnesses Manifesting Amid Recovery From Storm

Nicole Bengiveno/The New York Times

Dr. Aaron Gardener, center, attended to a patient at an ad hoc medical unit in Long Beach, N.Y. Many people have coughs, rashes and other ailments.

Day and night, victims of Hurricane Sandy have been streaming into ad hoc emergency rooms and relief centers, like the MASH-type medical unit on an athletic field in Long Beach, and the warming tent in the Rockaways the size of a small high school gym.

They complain of rashes, asthma and coughing. They need tetanus shots because — house-proud and armed with survivalist instincts — they have been ripping out waterlogged boards and getting poked by rusty nails. Those with back pain from sifting through debris receive muscle relaxants; those with chest pain from overexertion are hooked up to cardiac monitors.

“I’ve been coughing,” said Gabriel McAuley, 46, who has been working 16-hour days gutting homes and hauling debris in the Rockaways since the storm hit. “I’ve never felt a cough like that before. It’s deeper down.”

It is impossible to say how many people have been sickened by what Hurricane Sandy left behind: mold from damp drywall; spills from oil tanks; sewage from floodwater and unflushable toilets; tons upon tons of debris and dust. But interviews with hurricane victims, recovery workers, health officials and medical experts over the last week reveal that some of the illnesses that they feared would occur, based on the toxic substances unleashed by the storm and the experience of other disasters, notably Hurricane Katrina, have begun to manifest themselves.

Emergency rooms and poison control centers have reported cases of carbon monoxide exposure — and in New Jersey, several deaths have been attributed to it — from the misuse of generators to provide power and stoves to provide heat.

In Livingston, N.J., the Burn Center at St. Barnabas Medical Center had 16 burn cases over about six days, three times as many as usual, from people trying to dispel the cold and darkness with boiling water, gasoline, candles and lighter fluid.

Raw sewage spilled into homes in Baldwin and East Rockaway, in Nassau County, when a sewage plant shut down because of the surge and the system could not handle the backup. Sewage also spilled from a huge plant in Newark. “We tried to limit our presence in the house because the stink was horrible,” said Jennifer Ayres, 34, of Baldwin, who has been staying temporarily in West Hempstead. She said that she felt ill for several days, that her son had a scratchy throat, and that her mother, who lives in the house, had difficulty breathing, all problems she attributed to the two days they spent inside their house cleaning up last week. “I had stomach problems. I felt itchy beyond itchy on my face.”

Coughing — locally known as the Rockaway cough — is a common symptom that health officials said could come from mold, or from the haze of dust and sand kicked up by the storm and demolitions. The air in the Rockaways is so full of particles that the traffic police wear masks — though many recovery workers do not, worrying people who recall the fallout of another disaster.

“It’s just like 9/11,” said Kathy Smilardi, sitting inside the skeleton of her gutted home in Broad Channel, wrapped in a white puffy jacket, her breath visible in the afternoon cold. “Everyone runs in to clean up, and they’re not wearing masks. Are we going to wait 20 years to figure out that people are dying?”

Health officials and experts say the risks are real, but are cautioning against hysteria. Some coughing could be due to cold, damp weather. Lasting health effects from mold, dust and other environmental hazards generally require long-term, continuous exposure, they said. And the short-term effects can be mitigated by taking precautions like wearing masks, gloves and boots and removing mold-infested wallboard. “The reality is that cleaning up both muck and sewage and spills and removing walls and reconstruction and dealing with debris all do in fact pose concerns,” Daniel Kass, New York City’s deputy commissioner for environmental health, said Friday. “Are they vast or uncontrollable? No. But they depend on people doing work correctly and taking basic precautions.”

The Katrina cough was found to be temporary, said Roy J. Rando, a professor at Tulane’s School of Public Health and Tropical Medicine. Felicia Rabito, an epidemiologist at the school, said that healthy children exposed to mold after Hurricane Katrina showed no lasting respiratory symptoms when they moved back to new or renovated homes.

Immediately after Hurricane Katrina, lead levels in New Orleans’s soil dropped after the top layers of dirt, where lead from paint and gasoline can accumulate, were washed away. But in the two years afterward, soil testing found extremely high lead levels, Dr. Rabito said, which she theorized came from renovating old homes. “That’s a cautionary tale,” she said. Lead in soil can be tracked into homes and pose a health hazard to children playing inside or outside.

Though at least one outbreak of norovirus, a contagious gastrointestinal virus, occurred in a Brooklyn high school that was used as a shelter, New York and New Jersey health officials said they had not seen any significant spike in respiratory or gastrointestinal diseases related to the storm.

In Broad Channel, most homes on Noel Road, where Ms. Smilardi lives, have outdoor oil tanks that were overturned by the storm. The innards of many homes, built when asbestos was used, lie spilled among major and minor roads.

Ominous red spots covered both sides of Paul Nowinski’s burly torso. After the storm, Mr. Nowinski, a musician, waded into the basement of his childhood home on Beach 146th Street in the Rockaways to try to salvage records, books and instruments. He was up to his chest in water, which he thinks might have been contaminated with sewage. He said that he did not know the cause of the red marks; and that he had been too busy “schlepping” to go to the doctor.

Angela Macropoulos contributed reporting.

Read More..

'Life of Pi' a huge gamble for 20th Century Fox

Many people in Hollywood considered "Life of Pi" to be unfilmable. Now that it's about to hit theaters Wednesday, there's a new question: Can it be profitable?

Director Ang Lee's $120-million adaptation of Yann Martel's 2001 book, which has sold 9 million copies worldwide, is precisely the kind of movie that many complain the big studios don't make anymore: an ambitious and highbrow creation that's not a sequel and isn't based on a comic book or theme park ride.

Marketing the movie in no easy task either. A boy's spiritual journey across the Pacific Ocean on a lifeboat with a tiger doesn't easily translate into a 30-second commercial.

HOLIDAY SNEAKS: A look at this year's seasonal films

"It's the biggest gamble I've ever taken," said Elizabeth Gabler, the veteran 20th Century Fox executive who oversaw the film.

There's a reason studios prefer to make movies such as "Star Wars" and "Transformers." Eight of the top 10 films at the box office this year have been sequels or adaptations of kid-friendly books such as "The Hunger Games." Last year, all 10 fell into those two categories.

When show business executives dare to invest in sophisticated material, they generally keep budgets low (this past weekend's "Sliver Linings Playbook" cost $21 million) and make sure they have a recognizable star (such as Daniel Day-Lewis in "Lincoln").

"I read the book shortly after it came out and I remember thinking, 'This shouldn't be made into a movie,'" Lee said. "The artistic and the economic sides didn't meet. If you spend too much money, you have to be mainstream. But if you don't spend the money, you are not doing justice to the book."

Although early reviews have been overwhelmingly positive, pre-release surveys have found lukewarm moviegoer interest in "Life of Pi," shot in 3-D. Early estimates suggest the film will do about $20 million over the five-day Thanksgiving weekend. The new James Bond thriller, "Skyfall," by comparison, cost almost $200 million and opened to nearly half that amount.

On Fox's Century City lot, there's still hope of defying the odds. With an Indian actor starring and Taiwanese native Lee directing, studio executives believe the film will do particularly well in Asia. They also hope strong word-of-mouth could keep the movie in theaters through Christmas.

One thing they are not doing is predicting a box office smash.

"It can't always be about the bottom line," said Fox Chairman Jim Gianopulos. "It has to be about the art and the value of cinema that we all got into this business for."

In many ways, the challenges are similar to those facing "Hugo," director Martin Scorsese's 3-D adaptation of a revered children's book that opened Thanksgiving weekend last year. Even with strong reviews, the $156-million production failed to connect with moviegoers and was a financial failure.

"I do think it's a specialized movie," Lee said of "Life of Pi," using the industry jargon for an art-house film. "But I hope it reaches out to the mainstream in some way."

"Life of Pi" features a menagerie of animals, including a Bengal tiger and thousands of flying fish. To replicate Pacific storms, the production crew built a 1.7-million-gallon water tank in Taiwan that generated capsizing waves.

The four animals stranded on the lifeboat with Pi, the only person to survive a cargo ship's sinking, are a zebra, an orangutan, a hyena and the tiger. To ensure that lead actor Suraj Sharma wouldn't be ripped to shreds by his costars, the realistic animals are almost entirely computer-animated creations.

But that was the least of the filmmaking challenges. "Life of Pi's" journey to the big screen was nearly as miraculous as the technology behind it.

Gabler's Fox 2000 label acquired the movie rights soon after "Life of Pi" was published in 2001. But one filmmaker after another proved unable to adapt the book, more moving spiritual allegory than compelling page turner.

"Lara Craft Tomb Raider: The Cradle of Life" and "The Manchurian Candidate" remake screenwriter Dean Georgaris never managed to deliver a script. "The Sixth Sense" writer-director M. Night Shyamalan expressed interest in directing the movie in 2003 but ended up backing out. "Amélie" director Jean-Pierre Jeunet in 2005 pitched his idea to make "Life of Pi" entirely with live animals. Fox estimated he would need some 300 days of filming, about four times as long as typical big-budget productions, and torpedoed his version.

The Oscar-winning Lee, whose diverse resume includes "Brokeback Mountain," "Hulk" and "Crouching Tiger, Hidden Dragon," came onto the project in 2008, drawn by its many challenges.

Read More..

The Legacy of Linus Torvalds: Linux, Git, and One Giant Flamethrower

Linus Torvalds created Linux, which now runs vast swathes of the internet, including Google and Facebook. And he invented Git, software that’s now used by developers across the net to build new applications of all kinds. But that’s not all Torvalds has given the internet.

He’s also started some serious flame wars.

Over the past few years, Torvalds has emerged as one of the most articulate and engaging critics of the technology industry. His funny and plainspoken posts to Google+ routinely generate more comments and attention than most stories on The New York Times — or even Wired.

Linus, you see, has the gift for the geek gab. Some of his gems — “Talk is cheap. Show me the code.” — are the stuff of T-shirt slogans. Others — such his portrait of the hard drive as the new Satan or the F-bomb he dropped on Nvidia, “the single worst company” the Linux developer community has ever dealt with — have a certain knack for keeping marketing people up at night.

Torvalds can say what he wants because — unlike most of the world’s best-known software developers — he doesn’t work for a big technology company with a public relations department. If he worked for IBM or Red Hat, he’d probably be clamped down. But Torvalds is a free operator, his salary paid by the non-profit Linux Foundation. So whenever he needs a break from code-wrangling the Linux project, he fires away on Google+. It’s the same honest attitude that turned Linux into such a success story.

Earlier this year, Torvalds joined luminaries such as Sir Tim Berners-Lee and Van Jacobsen as an inductee to the Internet Society’s (ISOC) Internet Hall of Fame. It only make sense. Today, Linux is not only part of the genetic material of the internet, it powers the millions of Android phones that people use to access it. And GitHub — based on his Git software — has reinvented the art of collaborative software development, not to mention the social network.

But when we told Torvalds that we wanted to profile him in honor of his induction into the Internet Hall of Fame, his other contribution to internet life appeared in all its glory.

At first, he blew us off. Torvalds is entering that middle-aged period of his life where he’s suddenly one of the guys who gets honored in international awards ceremonies. And though he didn’t say so, we got the sense that he wasn’t into pontificating about the role of Linux in the internet.

So we gently trolled him over his use of Google+.

“Why are you the only person of interest on Google+?” we asked, not so innocently.

“Christ, that may be the saddest sentence ever on the internet,” Torvalds fired back. “The fact that I’m not very politically correct (in fact, I find people who get ‘offended’ to be annoying twits), and get grumpy and public about it isn’t all that interesting. I actually think that I’m a rather optimistic and happy person, it’s just that I’m not a very positive person, if you see the difference.

“So I rant a bit on G+ and the comments can be fun to watch (in a sad, sad way), but ‘only person of interest’ means that your editor may want to expand his circles a bit.”

Soon, we’re having a very interesting back-and-forth about people who are easily offended, euthanasia, and a favorite topic: the misdeeds of security industry and security researchers who become famous by uncovering the mistakes that people like Torvalds have missed.

‘The economics of the security world are all horribly horribly nasty, and are largely based on fear, intimidation and blackmail. It’s why I compared them to the TSA — even when you know there are morons that didn’t finish high school and are stealing camera equipment and harassing people with ridiculous rules, you can’t actually speak up against them because there’s no recourse.’

— Linus Torvalds

As you might have guessed, he’s a critic. “[T]hey start off with a sane and obvious premise (‘security is important’) and then push it beyond all recognition (‘security matters more than anything else’), and use fear-mongering as their main way to push their agenda,” he said.

By then, he was on a roll.

“The economics of the security world are all horribly horribly nasty, and are largely based on fear, intimidation and blackmail. It’s why I compared them to the TSA — even when you know there are morons that didn’t finish high school and are stealing camera equipment and harassing people with ridiculous rules, you can’t actually speak up against them because there’s no recourse.”

A serious roll.

“I’m occasionally impressed by the things some of the people do — especially the people finding some really obscure way to take some innocent-looking bug and turn it into an exploit — but then in order to take advantage of their discovery they have to take that really interesting intellectual exercise and turn it into this really sordid affair. It’s either some (very) thinly veiled blackmail behind some ‘best security practices’ bullshit, or it’s a carefully orchestrated PR event with the timing set so that they look important and interesting.”

Then he slammed people like us in the tech press for eating it all up and turning everything into a “big circus.”

It was great.

The thing is, if you ever have the pleasure of meeting Torvalds, he’s not some raging maniac. He’s mild-mannered and friendly. His candor is wonderfully endearing. You might think differently of his slightly grumpy online writings, but they’re really rather insightful, and we think they’re fun too — even if he’s comparing us to clowns.

Pages: 1 2 View All

Read More..